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Who was the musical creator behind the Tragedie Lyrique?

Who was the musical creator behind the Tragedie Lyrique?

Tragédie en musique (French: [tʁaʒedi ɑ̃ myzik], musical tragedy), also known as tragédie lyrique (French: [tʁaʒedi liʁik], lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century.

What was Jean-Baptiste Lully known for?

Jean Baptiste Lully (1632-1687), Italian-born French composer, established the basic form of French opera, which remained virtually unchanged for a century. Jean Baptiste Lully was born in or near Florence on Nov. 28, 1632. At the age of 12 he went to Paris, where he received his musical training.

Is Lully a Baroque composer?

Jean-Baptiste Lully: the Baroque composer who died of gangrene after stabbing his foot with a conducting stick. Jean-Baptiste Lully met a rather sticky end. Quite literally, by his own conducting staff. The 17th-century composer Jean-Baptiste Lully was a violin virtuoso, and master of French Baroque music.

What was the first operetta?

The Opera Comique now clamored for Offenbach’s services. He collaborated with librettists Henri Meilhac and Ludovic Halevy on Orfee aux Enfers (Orpheus in Hell – 1858). It was the first full-scale operetta, combining grand operatic singing with popular-style melodies and a lighthearted plot in a two act format.

What is meant by the term grand opera?

: opera in which the plot is serious or tragic and the entire text is set to music.

Who conceived of music drama?

Music drama, type of serious musical theatre, first advanced by Richard Wagner in his book Oper und Drama (1850–51; “Opera and Drama”), that was originally referred to as simply “drama.” (Wagner himself never used the term music drama, which was later used by his successors and by critics and scholars.)

Who were the most famous operetta composer duo?

Both Strauss and Suppé are considered to be the most notable composers of the Golden Age of Viennese operetta.

What is a short opera called?

Operetta. English (from Italian) Literally, “little opera”.

Who was the most important composer of the French Baroque?

One of the most dominant figures of the French baroque, Giovanni Battista Lulli (later Jean-Baptiste Lully) was actually an Italian of noble birth who arrived in Paris in 1646. In 1653, he began work at the Court of Louis XIV as an instrumental composer and dancer.

Who is the most famous composer of tragedies en musique?

Composers sometimes changed the order of these features in an act for dramatic reasons. Apart from Lully, the most considerable writer of tragédies en musique is Rameau, whose five works in the form are considered the culminating masterpieces of the genre.

Who was the French composer of Italian music?

Lully disavowed any Italian influence in French music of the period. (b. Florence, November 29, 1632; d. Paris, March 22, 1687) Italian/French composer.

What was the music like during the Baroque period?

The Baroque period marked the beginning of the Common Practice Era, which would remain in place until the 20th Century. In contrast to the mode-based music of the Medieval era and much of the Renaissance period, music was now rooted firmly within tonal key centres with standard cadences.

Who was the musical creator behind the tragedie lyrique?

Tragédie en musique (French: [tʁaʒedi ɑ̃ myzik], musical tragedy), also known as tragédie lyrique (French: [tʁaʒedi liʁik], lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century.

What period is a performance of Lully’s opera Armide?

Between 1686 and 1751 Armide was mounted in Marseilles, Brussels, Lyon, Lunéville and perhaps Metz, and was also produced abroad in The Hague, Berlin (with revisions by Carl Heinrich Graun) and apparently, in two concert performances, in Rome.

When did England embrace opera?

However, the work had no successors, and England did not develop a native tradition of fully sung opera until the late 19th century.

Who brought opera to France?

Under the patronage of his former music pupil, Marie Antoinette, who had married the future French king Louis XVI in 1770, Gluck signed a contract for six stage works with the management of the Paris Opéra. He began with Iphigénie en Aulide (19 April 1774).

What is the difference between aria and recitative?

In an aria, the vocal performance is focused on the melody, and the instrumentation accompanies this, sometimes dramatically. In recitative, the vocals focus on the free rhythm of the words, and the accompaniment is quite minimal, allowing the story to be told without distraction.

What place in France where Carmen become the most popular opera?

Paris
Carmen has since become one of the most popular and frequently performed operas in the classical canon; the “Habanera” from act 1 and the “Toreador Song” from act 2 are among the best known of all operatic arias….

Carmen
Based on Carmen by Prosper Mérimée
Premiere 3 March 1875 Opéra-Comique, Paris